Kimberly Francis

Associate Professor of Music, University of Guelph

Feminist musicology, History, Music, Women, Gender, Relationship between gender and music, Female composers after 1900, Contemporary culture, Augmented reality as a tool for students to use musical terminology

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Biography

Kimberly Francis is an Associate Professor of Music at the University of Guelph, Canada. She is a feminist musicologist and the author of Nadia Boulanger and the Stravinskys: A Selected Correspondence (Rochester, 2018), and Teaching Stravinsky: Nadia Boulanger and Consecration of a Modernist Icon (Oxford, 2015), for which she won the ASCAP Deems Taylor award (2015). She serves as Editor-in-Chief for the University of Guelph’s award-winning journal, Critical Voices: The University of Guelph Book Review Project.

Expertise

  • Feminist musicology
  • History
  • Music
  • Women
  • Gender
  • Relationship between gender and music
  • Female composers after 1900
  • Contemporary culture
  • Augmented reality as a tool for students to use musical terminology